Above are a couple more photos of Peter Martins’ new Mirage ballet, which I wrote about here, that better showcase Santiago Calatrava’s stunning architectural set. I’d described how it closed at one point, and you can see that in the bottom photo, and I’d forgotten to mention that in the end it radiated a rainbow of color (top photo). Photos are by Paul Kolnik and are taken from Marina Harss’s excellent write-up in The Faster Times.
Funny, I recently discovered The Faster Times (I know Marina but I know her as a New Yorker writer) and was really amused to see that my very first ballroom teacher (the one who’s ultimately responsible for the title of this blog) is their ballroom critic!
